Smith was not the only screenwriter who worked on the project. Dan Gilroy, whose Nightcrawler just opened, worked on it, too. Here's his synopsis of the project:
So poor little [Superman], when he winds up on earth, he has no freaking idea where he came from. His biggest fear is that he's an alien. Our Superman was in therapy at the beginning of the film. He's in a relationship with Lois Lane and he can't commit. Or he was maybe in couple's therapy. But he can't commit because he doesn't know who he is or what is going on with him. He's hoping that he has some physiological condition that gives him these powers but that he's still human. It becomes very apparent, though, early in the script, when Lex Luthor uncovers the remnants of the spacecraft, he suddenly realizes – "Oh my god, I'm an alien." It was all about the psychological trauma of it.This is why Hollywood just couldn't make superheroes work for so many years: the industry's arrogance. Who would want to watch that Superman movie?
Even though there had been hundreds of stories and story arcs for Superman over the years, and time had proven some to be much better than others, Gilroy, Burton and producer Jon Peters thought, Nah, we'll just make some stuff up.
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