By Fritz Springmeier and Cisco Wheeler
Introduction
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
CHAPTER 7 THE SCIENCE OF STRUCTURING
Most people are still unfamiliar with multiplicity and their rigid thinking is challenged by the concept that one mind can have several personalities.
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On the other hand, they can understand perfectly that a computer can wall off sections of memory, and they can understand perfectly that a single human mind is superior to all the computers in the world assembled together, and yet they can’t let go of their basic simplistic foundational understanding of life that one mind has only one personality.
This means, of course, that we are about to re-enter the internal world of the mind-controlled slave.
The majority of the chapter is written by Cisco Wheeler. She offers an occasional personal glimpse of her own internal landscape. For a more coherent and broader discussion, read an interview with her here.
The result of splitting personalities via trauma is a shattered individual. In order to program and then use the alters the chaos must be put into order. The system will ultimately have hundreds of alter personalities within the internal while only a dozen or so “hold the body,” or interact with the world.
[I]t is suggested that [we] approach it as a city of persons. A city has both a unity and a multiplicity about it. It also must carry out certain basic functions if it is to survive. All cities have administrations and city planners, and justice, and police, and garbage collectors, and entertainment, etc. The early Illuminati researchers soon accepted that their victim of multiple personalities is in essence a city of people, and so they used that understanding to construct in the victim’s head, using the victim’s creativity under torture and drugs to create all the structures and features that accompany a geological land.
The citizens of the internal world have just the same kind of interaction as residents of a real city. Some are aware of each other while other others know of alters that do not know of them. Some alters share thoughts, which may also be a part of city life, depending on your definition of true love.
The public has found Wizard of Oz or Alice in Wonderland programming riveting but Wheeler’s personal internal landscape is much less whimsical, though more sinister. Landmarks include concentration camps, “thousands of doors with red-hot knobs,” mazes, snake pits and Torpedo Town.
Those alters that take the body, or “fronts,” are given much more pleasant landscapes. They “might see their world as a basketball court, or several houses, or a dollhouse, or a street.”
While this is how the alter personalities see their world, the programmers have arranged it all much more precisely:
A standard Illuminati System is built like a 13x13x13 cube with an elevator shaft running up and down from the bottom to the top.
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On the chart, the programmer will have a square on a grid where he will record the cult name, the front name, the alter’s alphanumeric pull up code and its grid number.
Even organized into a three-dimensional chart, the reality is still messy. Alters are not simply single-unit personalities but a feathery collection of shadows:
For instance, a Gatekeeper alter will have a shadow alter fragment that holds its fear, one that holds its pain, one that holds its anger, and many that hold its memories of abuse and torture.
Wheeler runs through the different types of alters again. Most of these we’ve already discussed, although we learn that large groups of “fragments” are given uniforms and formed into the “Egyptian Army.” Another new arrival are the “scrambling” alters who make incoming information confusing.
The chapter continues, long-windedly, with another run-down of the systems by which alters are organized. While Wheeler isn’t clear, a system like the “carousel” structure operates parallel to the aforementioned grid structure. An alter may be “placed” in a coordinate on the grid but also part of the smaller carousel system, as if the coordinate were an apartment and the carousel their social circle.
Finally, it appears that S&W return writing as a duo to pad the chapter with yet another set of programming models from the media. The film Labyrinth is said to be an example of “princess” programming. They also discuss the use of Star Wars and Star Trek, although they seem to have trouble distinguishing between the two.
Chapter 8 deals with the physical aspects of programming on the brain.
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